Transcript
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Hello everybody and welcome to the Fandom Portals podcast.
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This is the podcast where we explore the fandoms that help us learn and grow.
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Today I am joined by a very special guest.
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His name is Thomas and he is from the Joy Shtick podcast.
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He is also a frequent member of the Challenge Accepted podcast and he's just started a new podcast called the Sick Burn podcast.
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He's a really influential dude and it has been such a pleasure to communicate with him on one of our favorite movies, big Fish.
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So in this episode we actually go into the artistry that is Tim Burton.
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We talk in depth about father-son relationships and the lessons that fathers can sometimes try to impart onto sons.
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We get a bit deep in this episode, guys, and we get a bit personal as well in terms of the content that we cover.
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We get a bit deep in this episode, guys, and we get a bit personal as well in terms of the content that we cover.
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So just a bit of a warning there we do cover topics such as loss and grief as well, but if you are somebody who resonates with this episode, feel free to reach out to us on our social medias or email us.
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Those links are in the show notes below.
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We'd love to hear your stories, guys.
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This has been a really special episode and one of my all-time favorite movies big fish.
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If you haven't seen it, make sure you go out and check it out, and we hope you enjoy this podcast as well.
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Guys, thank you so much for tuning in and for being a part of the fandom portals podcast.
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This week we have been looking at the movie Big Fish and I'm joined by a very special guest.
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His name is Thomas and he's from the Joysticks Show and a lot, lot of other kind of podcasts as well.
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How you going today, thomas?
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Pretty good.
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Yeah, thank you so much for having me Loving the episodes you've been putting out, man.
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It's been really, really great.
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But I also want to shout out, you know, challenge Accepted on the Geek Freaks Network.
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We're on the same network together.
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And then, yeah, new podcast coming soon called Sick Burn Podcast.
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And with those new podcasts that you're doing, obviously the Sick Burn one.
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All of these can be followed on Instagram.
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By the way people, they'll be in the show notes below.
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Sick Burn's a little bit of a passion project for you.
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Did you want to talk a little bit about that?
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Because I love what you've got going on there too.
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Yeah, yeah, thank you, yeah.
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So, basically, I was in a pretty bad accident in 2019 and it left me very badly beat up.
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It was in the hospital for a long time recovering from that.
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And then I get out of the hospital and it's COVID, you know, and I think, the world.
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I saw a lot of people who were scared and I saw a lot of sadness and I saw, you know, just a lot of despair out there and I really wanted to.
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I don't know.
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I guess I learned so much from my accident and I found so many positives from it too later on and I just kind of wanted to share some of that.
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But I know that just my story alone won't be enough to kind of reach out to a ton of people.
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So I'm bringing on other guests who've had these low moments, these hitting rock bottom moments, and how they took those lessons from those incidents and then used it to find happiness, find success, find peace, and so, yeah, that's kind of the whole idea around Sick Burn podcast.
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The catchphrase is where we explore the bright side to life's darkest moments and, yeah, it's been a fun little, like you said, passion project for me.
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No, it looks really awesome.
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I'm following you, jenny, on social media and I can't wait for the episodes to drop because I think it's just a great space to chat and for people to listen to as well.
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People need, you know, some more places like that to feel safe and comfortable to express the things that they need to express.
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I admire what you're doing and it takes a lot of bravery as well to you know, talk about yourself in that kind of manner and like be vulnerable in that sort of space.
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So very, very admirable, thomas.
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I love what you're doing there.
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This is too kind, man.
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Thanks it's.
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Yeah, it's pretty easy Once you've kind of been embarrassed in so many situations in a gown in the hospital.
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After that, no shame, yeah, no.
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I can see that.
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That's so good, man.
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I love it.
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I can't wait for it to come out.
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Do you know, timeline wise, when it's going to drop, or is it just like how it's happening at the moment?
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You're just seeing how the tetris blocks align and picking a date later?
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yeah, so hopefully right now we'll be launching uh by the end of february.
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Uh, yeah, it's based in san diego and it's pretty cool.
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You know, I've been lucky enough to to sign on with the studio, so we're getting as many guests as we can in the studio.
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Obviously, obviously, there will still be kind of remote options going on, but end of February, and if you got any ideas or topics you want to explore, there will be moments of solo episodes where we focus on topics like confidence or anger or self-doubt, all that kind of stuff too.
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So if you have something you want to throw in the mix and have us explore, I'm fully game for it.
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That sounds absolutely awesome.
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Yeah, I'll definitely be following very closely and I'll be one of those guys that email the podcast a lot.
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So, be prepared.
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All the emails and reviews.
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Keep it coming.
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That's exactly my point of view as well.
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Anytime somebody sends something to you about the podcast, I read it so feverishly.
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It's awesome to get feedback.
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So, yeah, I'm looking forward to it.
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All right, so, as we, as we talked about, we're talking about the movie big fish.
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Uh, this, this episode.
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I I kind of watched this movie and I really wanted to do an episode on fandom portals and before we sort of get into it, we will start with our gratitudes and growths.
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But, yeah, I'm really thankful that you were willing to come on and talk to me about it, thomas, because obviously it does touch on some pretty personal themes for people.
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So, yeah, just as we're going through, just be prepared, everybody, that we might sort of go into some areas like that.
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And, yeah, I just want to thank you so much for joining me and going on this ride with me.
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I couldn't think of anybody better to do it with.
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So, appreciate you.
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Thank you, man, I appreciate this.
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We talked of me.
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I couldn't think of anybody better to do it with, so appreciate you.
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Oh, thank you, man, I appreciate this.
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Uh, we talked about this movie actually on challenge accepted.
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I've talked about it on a couple different podcasts actually, but to this day I remember, at 16 years old, watching it, uh, where, where I was on this couch with with one of my first real serious girlfriends and her trying to flirt with me and me being like no, no, no, no, no, no, no, stop, stop, stop it.
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I'm trying to watch this movie and it's like that's how much I loved it and it's crazy.
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Now, some 20 years later, I'm still.
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I still consider this my favorite movie and it's very yeah, it's very interesting because I can see myself, you know, going and aging with this movie and seeing it from different perspectives.
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So I appreciate you having me on to let me talk about it.
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That's so awesome, man.
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And yeah, that kind of falls into our gratitudes and growths, which is what we do, because each week we begin by sharing a personal gratitude for the week or we can talk about a growth or an area that we need to grow on.
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My gratitude is obviously thanking you for coming on the podcast with me, but also my gratitude is being free on the weekends for me, because you know, there are some people that have no choice.
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They have to work through the week or they have to work weekends or shift work and things like that.
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But for me, I always have that weekend bracket free and it's a great time for me to chalk out and spend with my kids in a very valuable kind of way.
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So, yeah, it's my favorite kind of time, is my gratitude for this week is just really appreciative of the weekend time with the kids and, again, as I said, the time with you to the podcast and talk about this, this awesome movie.
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So what about yourself in terms of of gratitudes or growths for the week, thomas?
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How are you going?
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Yeah, I love your gratitudes, by the way, I think that's awesome and, yeah, I you know.
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For me, I think it's something we don't do a lot, or at least when I see online, I don't see a lot of people talking about gratitude, what they're thankful for.
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And if you have done any little bit of research into mental health science.
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It's like one of the best ways to stay happy, to combat depression, to combat, just, you know, the side effects of society, if you will.
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And yeah, I think this week I was grateful for, I am grateful for the healthy challenges.
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You know I've been lucky that I got to focus on this new podcast coming up and I've really tried to push myself in ways where, you know, I'm stepping out a little bit For me, for other people I'd be like, oh, that's nothing, you know you're.
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You know, don't worry about any of that.
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Oops, sorry, but I think, yeah, I think what I'm grateful for is that I'm able to put myself in a place where I can challenge myself and try to be a little bit more brave and be able to speak about things that maybe other people don't.
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So, yeah, and then just having support and friends, like getting to meet you and being on this podcast, I think this is all great things that the world needs more of.
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Yeah, man, I can totally relate.
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All great things that the world needs more of, yeah, I mean, I can totally relate because I the reason I started the Gratitudes and Grows thing was because I feel like one is a great way to sort of get to know people and it sort of it puts things into perspective for you as well, because I read somewhere as well that if you're, if you're consistently trying to look for gratitudes, then it kind of shifts the way that you think in terms of how you perceive a day or how you perceive an event or a movie or things like that.
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So I just thought that was just like a really kind of poignant thing to start, just to sort of kick off.
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And, yeah, I, I appreciate that you you like it so much and thanks for joining me on the gratitude.
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It's awesome yeah, no thanks for having me.
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This is great.
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This sets the mood for this kind of positive movie, though, right yeah, I think so, I think so, I think so.
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All right, let's jump into our first take segment.
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All right, our first take segment is where we discuss how we first encountered the media, what our initial impressions of the media were, our feelings of the media and how we felt after we watched it.
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We also sort of share some of our community's thoughts on this as well.
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If we have any sort of responses from threads at this point and, yeah, if you want to join in those sorts of conversations, the threads link is in the uh description below.
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So before we jump in on that, the the sort of plot outline of this movie.
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We're doing big fish.
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Uh, we are looking at big fish today dad, I have no idea who you are.
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What do you you want, will?
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Who do you want me to be?
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Just yourself, just show me who you are.
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For once, discover an adventure as big as life itself.
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In telling the story of my father's life, bravo, company go Doesn't always make sense but that's what kind of story this is, big Fish.
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It's kind of about a frustrated son that tries to determine the fact in the fiction from his father's life as he is dying.
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It's told from two perspectives One that's set very much in the past and tells the story of Edward Bloom when he was a young man.
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It's very highly fantasized and fictionalized, as his father is a storyteller by nature, and then that couples with the darker sort of undertone of of his father being old.
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So edward bloom being old, and his son will uh gripping with the fact that he never really knew his father because of the stories that he told.
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So, uh, that's a little bit of the plot outline.
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We might start with you, though, for your first takes, thomas.
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You kind of went into it a little bit earlier.
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But how did you first encounter this movie?
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How did you feel after watching it?
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yeah, I know I totally jumped the gun on that, sorry, but uh, yeah, high school and I don't know why we selected it again.
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It like when it was serious for me, which was just like maybe handholds and a few kisses and stuff, and like with this, this girl, that we were at her, you know, at her house, and for some reason we just put on this movie and from the second I watched it, all of a sudden it really made me feel like, oh, I get this guy, I'm from Hawaii and we talked about it before we started recording.
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What's Hawaii really like?
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People have those perceptions of it being this holiday place and just being casual laid back, and it is those things, you know, just being casual laid back, and it is those things.
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But I think I always felt that I wanted to do more.
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You know, I love Hawaii and I love my family and my friends and the people there, but I also wanted to experience the world and see what else was out there and was.
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I meant for more, and so when you watch the story of Edward, it really kind of spoke to me.
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But then there was this counterside where in my growing up, my dad is a huge storyteller and so he's a salesperson but he tries to just connect with people and that's really how he's been so successful at selling.
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But I can't tell you how many times growing up I heard him tell the same story over and over again.
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If there's something that happened on the weekend, he would tell it 10 times in one day and it would drive me nuts.
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And then every time it would become more bombastic and more over the top and it used to just frustrate the hell out of me.
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And so, from multiple angles, I really kind of understood Edward and I really understood Will.
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And so it was like this weird thing when I was watching the movie the first time that I just really felt spoken to and, yeah, I was like holy crap, I don't know how this movie came into existence, it just felt like it was made for me, yeah.
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Man.
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So much of what you said resonates because my first take of this movie I watched it with my father and I was probably a similar age 14, 15, 16, somewhere around there and he watched it and it was one of the first times I remember seeing my dad cry for one to a movie and then for two.
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Yeah, I looked at that and I was a little bit confused because I didn't conceptually understand the movie for what it was.
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I think when I was a kid and I watched it I was definitely taken up with the fantastical elements of Ed Bloom's story.
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I was looking at the fantasy, I was looking at the fairy tale and I was thinking it was just like a whimsical fantasy tale.
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And then I look to my dad and he's like by the end of the movie he's started to tear up and cry and I'm thinking how like this is a man that I've seen that's been pretty strong all his life tearing up to a movie like this that features, you know, giants and wolves and twins and things like that.
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I'm like, yeah, there's something deeper here.
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And I rewatched it again last year and then again this year and then again before this podcast.
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I've seen it a few times and, as we talked about before, each time I've watched it I've taken something new or different away, and I think for me I'm obviously drawn into that father-son story at the central sort of crux of the movie.
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But I find myself just like Will trying to find the truth in the fantasy sort of story.
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I don't know what draws me to that, but like when Ed Bloom sort of starts to tell his fantastical tales, I'm like, okay, so what part of this is the true thing that happened to him?
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And then what sort of fantastical element has he embellished into this story here?
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And then obviously there's the themes that go through it as well.
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So I think for me, each time I've watched it it's been different.
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But that first time that thing that really drew me in was the fact that, yeah, this is one of the first movies that I watched and saw my father just have an emotional response to which was like and he's not like a cold man or a callous man or anything like that, but he wasn't one to really like become emotional.
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Show his emotions, yeah, towards movies at least.
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So that was just different for me and I think that, yeah, for my first take, it's just yeah, this is just a movie that's kind of stuck with me and I wanted to revisit it again when I was a bit older.
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So, just like you, I think this is up there for me.
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I'm just going to talk about some things about like the movie.
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For example, this was directed by Tim Burton.
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Not really a fan of Tim Burton usually I love his two Batman movies and I kind of stay away from his more weirder stuff because that's not really my style.
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And, yeah, watching this one it's kind of a step away from from what he usually does, but it's still got those tim burton sort of elements in it.
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Did you know this was directed by tim burton when you you watched it?
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Are you a fan of tim burton's work?
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you know not, not originally I didn't know it was tim burton and it was years later.
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When I re-watched again I was like, wait, what tim burton?
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Because you can kind of see it with the over the topness and with some of the fantastical elements, especially when he goes through the woods to get to the town of Spectre.
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You're like, okay, I could see some Tim Burton here.
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But you're right, it is kind of subdued for him.
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It's not as over the top, it's not as like almost farcical.
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You know, like you would get from a beetle juice or, uh, edward schuster hands or something like that, where it's like so over the top.
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But this is, yeah, this is um a lot more grounded in a weird way.
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You know, when you're looking at the relationship from will's perspective, it's very, to me, very grounded for a tim burton thing.
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And uh, yeah, I, I guess I didn't realize that till way later on yeah, yeah, and I think for me that that sort of grounded aspect is enough to keep me in, because I have a very, I'll say, squeamish sort of appetite for movies that sort of make me feel uncomfortable.
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But I think Tim Burton, in this sort of regard, it's sort of just enough.
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And the fantastical element of it is, yeah, it's really amazing because it's poignant to the story and to Ed Bloom's character as well, starring Ewan McGregor, albert Finney and Billy Kudrup.
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I think Ewan McGregor in this one he kind of has two styles, doesn't he, ewan McGregor?
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When we look at him he's got the like the train spotting Ewan McGregor that we see.
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That's a little bit unhinged.
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And then we've got this innocence of Ewan McGregor that we see in this movie.
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Or we see it in movies like um, like the Winnie the Pooh movie, when he plays Christopher Robin, or we see it in Moulin Rouge.
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He kind of plays that innocent sort of a doe-eyed, very much in love sort of character.
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I really liked Ewan McGregor in this movie.
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What about yourself?
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yeah, yeah, I think you said it amazingly well.
00:17:29.760 --> 00:17:36.442
But it's this perspective that he has in this determination in this movie, right, it, it's just inspiring.
00:17:36.442 --> 00:17:45.560
And, yeah, there is an innocence to him and yet there some people could say, hey, he's just being naive, but everything he commits to it ends up working.
00:17:45.560 --> 00:17:55.731
So, you know, I think that did speak to me too as a kid, where it's like, hey, he has this determination and if you work hard for it and if you stay lightning focused on this, like you can achieve it.
00:17:55.731 --> 00:18:00.001
And of course, you know like as you age, things become more and more apparent.
00:18:00.001 --> 00:18:03.355
But as a kid, gosh, that really spoke to me.
00:18:03.395 --> 00:18:12.303
I'm like I could do this, you know, and I found ways to kind of motivate myself and maybe it was credit to this movie really kind of seeping into my subconscious.
00:18:12.303 --> 00:18:26.678
But I think I just love his determination in it and his positivity and, yeah, again, there's a little bit of naivety, but it also it just keeps working out because he's kind about it, because he really does care, at the root of why he's doing everything.
00:18:26.678 --> 00:18:29.656
Uh, yeah, I just I, I really love ewan mcgregor.
00:18:29.656 --> 00:18:34.035
It's probably one of my favorite roles that I've seen him in yeah, it's probably one of mine too, definitely top three.
00:18:39.849 --> 00:18:59.192
I think that and the color that Tim Burton uses in the fantastical sort of story sequences, combined with the later sequences when Will's around and Ed is an older man and he's getting sick, just that color shift palette really sets the tone and the mood, because you're in that whimsical sort of storytelling land which is obviously the intention of Ed Bloom's stories is to make them that sort of fantastical place.
00:18:59.192 --> 00:19:05.397
But then when he's in his the real world, we'll say with quotes and he's you know, he's suffering from from an illness and he's at the end of his life.
00:19:05.397 --> 00:19:13.096
It's almost like blues and grays and undertones of browns and things like that that you're watching and visually seeing and his son's all kind of morose in that area too.
00:19:13.096 --> 00:19:23.193
So even that visual storytelling style that tim burton uses in this is very juxtaposing and I like that because it it literally symbolizes what the characters are feeling in those moments.
00:19:23.193 --> 00:19:29.496
So it's very talented kind of area for tim burton and the cinematography team to do in this movie is.
00:19:29.615 --> 00:19:32.201
It's really good such a great call out.
00:19:32.201 --> 00:19:49.590
You're right, as we look at some of the maybe fairy tales in this story, there's like a haze on it, almost like a filter and I think about it all the time when he gets to specter, because that first time he gets there before one, the town is pristine and everybody's not wearing shoes and they're dancing in the middle of the road on the grass which is perfectly cut too.
00:19:49.611 --> 00:19:50.811
The grass is just immaculate.
00:19:51.093 --> 00:19:55.659
Everybody's lawn needs to be like specters right and that adds to another fantastical element too.
00:19:55.659 --> 00:20:05.759
But you know, when you, when he later goes back and the town it has kind of fallen apart because they put up that road and it's completely changed the town, it it loses that filter.
00:20:05.759 --> 00:20:12.730
And so I think it's, it's you're so right, like I've thought about this, but not in that word, like it's all of a sudden you've said it.
00:20:12.730 --> 00:20:15.359
Now it's clicked in my head that you're, you're right.
00:20:15.359 --> 00:20:19.090
There's, it's also showing whose perspective we're seeing this part of the story from.
00:20:19.090 --> 00:20:20.817
And you, it's, you're right.
00:20:20.817 --> 00:20:32.442
It's such a good way to kind of show us you know the storytelling when he first went to the circus.
00:20:32.462 --> 00:20:34.467
Uh, and there's obviously the color shifts and the beautiful sort of dynamics there.
00:20:34.467 --> 00:20:36.470
But there's a scene that shifts and the beautiful sort of dynamics there.
00:20:36.470 --> 00:20:41.637
But there's a scene that comes to mind where he talks about the first moment that he saw Sandra, his future wife.
00:20:41.637 --> 00:20:53.404
Ladies and gentlemen, boys and girls, thank you all for coming.
00:20:53.631 --> 00:20:54.695
Grab on safely everyone.
00:20:54.695 --> 00:20:55.780
Thank you for coming.
00:20:55.842 --> 00:20:57.229
It was on everyone, thank you for coming.
00:20:57.229 --> 00:21:03.499
It was on that night Carl met his destiny and I met mine, almost.
00:21:03.499 --> 00:21:10.894
They say when you meet the love of your life, time stops, and that's true.
00:21:10.894 --> 00:21:25.493
And then there's that scene that everybody's seen the picture of, of ewan mcgregor walking through the frozen space, uh, ducking between the circus actors and moving the popcorn aside, and it's just like that.
00:21:25.574 --> 00:21:46.119
For me is it's such a good representation of what it's like when a young man falls in love or sees, sees, the lady of his dreams, because time obviously doesn't really stop, but you have blinders, there is nothing else that you can see, and there's nothing else that you are thinking about and there's nothing else that you're motivated by.
00:21:46.119 --> 00:21:54.442
And that's reflected in Ed's story as well, because in the fantastical story he says he works for Amos, who's played by Danny DeVito, the circus handler.
00:21:54.442 --> 00:21:59.423
He works with him for free and the only thing he wants in return is one piece of information every month.
00:21:59.423 --> 00:22:12.721
And that kind of drive and that kind of determination for you know the woman that you love, when you see that, I found that very sort of endearing to me, because I'm a guy that hearts on the sleeve as soon as you.
00:22:12.843 --> 00:22:19.488
Yeah, if you feel something, you go for it, that kind of thing and it's just, yeah, I think ed bloom sort of reflected that and that was the scene for me.
00:22:19.488 --> 00:22:30.718
That was just like this guy he he's truly in love with, with his wife, you know, and it mirrors to me the journey that men go through when they have that moment.
00:22:30.718 --> 00:22:50.114
I don't know if you can relate, but like when you, when you meet somebody and you have that sort of I want, I want to be with this person, you kind of he and he does as well he kind of starts to analyze his entire life and Amos says you know, you're a big shot back in Ashton, and now you're here you've got no job, you've got no prospects, like who, who the heck are you?
00:22:50.494 --> 00:22:57.241
And as a man you kind of reflect on that and you're just like what do I have to offer a woman that you want to protect and provide for for the rest of your life?
00:22:57.241 --> 00:23:00.566
So you go through that change and you work hard, just like Edward did.
00:23:00.566 --> 00:23:11.112
And then my favorite part of it, the symbolic part of it, was Edward's backpack gets stolen at the circus and for me that kind of symbolized.
00:23:11.112 --> 00:23:26.101
The backpack that he took from Ashton had everything, every single one of his possessions, that reflected who he was as a person when he left his small town and when he lost his backpack it was almost like that moment of now I'm becoming a new man.
00:23:26.101 --> 00:23:31.624
I've lost, or I still have, everything from my past, but it's now lost, so to speak, and I'm changing.
00:23:31.624 --> 00:23:33.049
So it was that moment there.